Close family ties take me to Australia, to a town on the Great Ocean Road. This coastal strip has wide beaches of white, soft sand and dunes, backed by low tree-covered hills.
On my last trip I endeavoured to do a painting most days and very nearly achieved my aim; a holiday can seem to be missing something unless I do a few works – I guess I’m an addict and just can’t do without my painting fix. My sketchbooks fill quite quickly.[caption id="attachment_57" align="alignnone" width="816"] Beneath the Lighthouse, Split Point, mixed media, 10?13in (25.5?33cm). The light was dazzling, the dark rocks glittering in the strong sunshine, the towering cliff stack reflecting darkly in the turquoise waters. I didn’t have time for much of a sketch here but managed a quick snap while walking, and then worked from that a few hours later while the image was still vivid in my mind. I used ultramarine blue, alizarin crimson and raw umber to give monumental solidity to the rocks, allowing flashes of bright colour to describe the form of the cliff. In the foreground I painted swift, broad brushstrokes of turquoise, alizarin, lemon yellow and umber to give light and strength without over- describing the plants and grasses. For the shallow water at the base of the cliffs I used semi-transparent turquoise and crimson applied over the pale pink background, with cobalt blue and pale dioxazine purple for the deeper waters[/caption]
But I also had a small pack of basic equipment with me and the newness of this landscape prompted me to paint small works on acrylic paper, working from my sketches and glancing occasionally at the image on my mobile phone screen.