The very word perspective makes most art students shudder – all that ‘technical drawing’, precision and formulaic planning – yikes! Well, it’s easier than you think and let’s face it, you need to get to grips with at least the very basic principles of perspective to see real improvements in your art.
Regardless of your subject, good perspective is the foundation on which a good painting is based. Even the simplest compositions are stronger when artists show evidence of good perspective skills.[caption id="attachment_147" align="aligncenter" width="490"] Pathway Over the Moors,Van Gogh gouache, Rembrandt and Unison pastels, Quink ink, Royal Talens acrylic ink and Nitram charcoal on Canson Moulin du Roy Not 140lb (300gsm), 20?22in (51?56cm)[/caption]
Assess your subject
The most obvious subjects that require perspective are buildings and cityscapes. In the next issue we will look at this more closely but let’s not overlook landscape. The ‘big landscape’ can appear daunting at first – especially to beginners and artists just starting to paint the subject but some pre-planning will help you as you work. Firstly, ask yourself why you want to paint the scene.